Translations generally ripped off from Heaney.
Economic system designed to ensure loyalty of comitatus. Warrior defeats an enemy in battle and takes armor and weapons etc from fallen enemy. Presents spoils to Lord to show loyalty. Lord rewards warrior with gifts and public praise.
Lord's economic responsibilities:
See line 1230, when Wealhþeow says þegnas syndon geþwære ("the thanes have one purpose" or "the thanes are united").
To reinforce this idea:
One leitmotif in the poem is that this ethic is failing. Consider Unferth, whose family history features fratricide. He seems to have suffered for it, but I notice he's still in the comitatus. Many hints that relatives will soon enough cease trusting one another on that basis. For instance:
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[...] Þa cwom Wealhþeo forð
gan under gyldnum beage, þær þa godan twegen sæton suhterge-fæderan; þa gyt wæs hiera sib ætgædere, æghwylc oðrum trywe. |
[...] Wealhtheow came to sit
in her gold crown between two good men, uncle and nephew, each one of whom still trusted the other; |
Because reputation is so important, boasting must be credible. Because cooperative bravery is so important, no warrior can afford to undermine cohesion or morale of unit by expressing inappropriate fear. These together lead to a behavioral code that rewards repression of fear. Body, particularly breast, conceived as a container for fears, as-yet-unrealized ambitions, secrets, etc. (cf "The Wanderer") -- much as buildings contain comitatus. Keeping emotions and secrets inside protects everyone as bldg fortifies those it contains.
Beowulf and his men greeted by Danish coast-guard, Beowulf "unlocks his word horde". Words analogous to treasure, here. They should be protected/contained so that you can give them away in appropriate circumstances. Similar ritual with the messenger (Wulfgar) and then with Hrothgar. Beowulf says different things to each of them, based on requirements of the diplomatic situation.
Speech very formal, formulaic, ritual --> helps ensure only appropriate thoughts expressed and only at appropriate times. Silence, continence, equals loyalty.
If we don't consider Unferth the Danish anadvocate, Unferth is a bad thane: his family is marked by fratricide, and he doesn't control his words -- accusation of Beowulf most undiplomatic. Beowulf with relatively good humor, points out Unferth's basic lack of military prowess.
Even now we talk about the integrity of a container. If it leaks, it lacks integrity. Integrity means containing what should be contained.
Genealogy identifies Grendel as descendent of Cain, exiled from human race. Jealous of companionship and prosperity, breaks into Heorot and kills several thanes (warriors, roughly equivalent to knights in feudalism? certainly hand-picked and favored with gifts and privileges by Hrothgar). Danes unable to defend themselves, systematically slain for 12 years (lunar years = months?).
Beowulf, a Geat with family-friendship ties to Hrothgar, hears their troubles and goes to help out (this has happy side effect of significant boasting-opportunities). Geat-Dane diplomacy --> Beowulf and band will take on Grendel, Beowulf will kill him with bare hands since weapons have failed.
Grendel attacks, Beowulf grapples and rips off Grendel's arm. Grendel limps off to die, and Beowulf mounts arm as trophy above door to Heorot.
Celebration includes gift-giving and tale-telling, including thematically related digressions.
Early description of Heorot anticipates it being burned down after a crisis of family. As culture begins more and more defining nationality by location, importance of loyalty to family decreases. Problems with in-laws get more intense, causing tragedy. Poem anticipates ambiguous value of cultural shift even while celebrating primary symbol of that shift.
That Grendel attacks them within Heorot suggests a distrust of architecture as well. Not only does Heorot fail to protect the warriors, it attracts the attack.
Grendel -- Descended from Cain (and, we presume, Lilith, the only woman not included directly in God's commanded to shun him and his race). Monstrous, a giant, b/c descended from monsters and giants. Shunned by men because of events in Genesis.
Isolation and Exile are worst conceivable fate for a member of the comitatus, since cooperation and companionship are the foundation of the gifting/warlord economic and military structures (cf "The Wanderer").
Naturally, Grendel jealous of what the celebrating warriors have: prosperity and companionship. Naturally, Grendel resents that they celebrate in a way that explicitly recalls the reasons for his own exile. Naturally, Grendel wants to show them that they are not so strong after all. The poem does not explore these issues in terms sympathetic to Grendel, but readers can. Poem insists that Grendel is monstrous.
Grendel valuable for episode because he focuses the story on "us" and "them" -- a distinction at the heart of the established culture.
Digression establishes blood-price system, and explains relationship between Beowulf and Hrothgar.
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Themes: limitations of diplomacy
Role of Queen
Alliance by Marriage
Future Trouble for Danes
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Plot
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Who's Who in The Digression
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Genealogy
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Beowulf dives into the mere, but Grendel's mother grabs him before he can get to her. She hauls him to her lair and they fight. He can't kill her with Unferth's sword (because of the grapple pinning the sword?), so he drops it and wrestles her for a while. Eventually, when it seems pretty bad for him, he sees a giant's sword, which he uses to kill her. Her blood corrodes the sword, but he keeps the jeweled hilt. He brings this and Grendel's head as trophies back to Hrothgar.
Issue of family and otherness linked. In exchange for the life of her son, she takes only one thane, beloved of Hrothgar. This is a blood price, but those traditions do not protect her kind. She has the mark of Cain. The economic and blood traditions of this culture do not extend protection to the truly other.
She is less civilized than the Danes: her body is described as a flæsc-homan or 'house of the flesh'. Her carapace, which protects her from most weapons, poss including Unferth's sword, is basically architectural -- she is nomadic and bestial, carries her house with her, like a turtle. This also reinforces the idea that buildings are for protection whatever else they do.
Her role calls the whole economic system of the poem into explicit question by pointing out that the system does not provide equal protection, that it does not provide a method of dealing with the outsider, with the truly alien. She doesn't understand the blood-price properly, and she doesn't understand that it doesn't apply to her. When Beowulf comes after her, she realizes her mistake and seeks what she can have: revenge.
Unferth -- Possibly a Danish anadvocate, but his honor is questionable. His family is spotted by fratricide, he is rude to guests (Beowulf), and has no response when Beowulf accuses him to his face of cowardice ("And who have you fought?"). By giving Beowulf a sword, he re-enters the gifting culture, but it's unclear Unferth has the social position to be giving stuff to Beowulf -- is he a thane offering treasure to the Lord, or a Lord rewarding his subject? Furthermore, the sword, like Unferth, is ineffectual.
The dragon
Furthermore, the dragon is waked by a thief, that is, by the breakdown of the gifting system. It furthermore acquired its horde by finding it rather than earning. Horde actually the last relics of a dead nation. This episode points to what happens when the old system breaks down.
Queen Hygd -- Like Wealhþeow, a good example of queenhood (and queenhood is our only real view of women in the poem). She "weaves peace" rather than judging or punishing transgression. She is cupbearer and diplomat. By serving wine to the comitatus and diplomatic visitors, she can keep track of their conversations, enabling her diplomatic function.
Queen Modryþ is a bad queen, because she incarcerated, tortured, and killed men she perceived had insulted her. She should instead "weave peace." Her wrongdoing ends with her marriage to Offa, the best king ever, anywhere.
The Funeral -- Beowulf's funeral is obviously supposed to be compared to Scyld's. The poet even uses the same phrase to describe the two men: þæt wæs god cyning!(ll 11 and 2306). The implication is that Beowulf is the stuff of legends. The Geats build a monument in his honor, designed to help ships find their way. The mourning woman worries about her future, by extension the future of the Geats. The death of Beowulf is symbolic of the end of the Geat nation. King = country. But Beowulf becomes symbolic of more than just the Geat culture. He comes to represent the gifting warrior culture generally. The decay of the warrior ethic brings about the end of the Geats. It isn't Beowulf's death that dooms the Geats, it's their own weakness and cowardice in the face of greed, incontinence of integrity, and solitude as represented by the dragon. That is, they flee rather than confronting the un-warrior-like qualities present in their country. This weakness causes their downfall.
It's tempting to compare this to Malory, in which the conflicting traditions of feudal knighthood, courtly love, and Christianity lead to the loss of Camelot. Explore.
The failure of the warlord culture is timed to suggest that the shift from a lifestyle that demands movement to one that allows permanent buildings causes it. Prosperity allows Hrothgar to command construction of Heorot; Grendel is jealous of prosperity; 12 years of death. Devastation ends when Beowulf, symbolic of traditional nomadic warrior culture (he goes where he is needed and brings his tribe with him; he speaks only when appropriate; he is generous, brave, and when appropriate submits to higher authorities) intervenes. Beowulf himself dies only after settling in as lord of a tribe that stays put and has conspicuous permanent buildings.
| Higelaces þegn | Hygelac's thane |
| Beowulf is min nama | Beowulf is my name |
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[...] No þæt yðe byð
to belfleonne -- fremme se þe wille -- ac gesecan sceal sawl-berendra nyde genydde, niþða bearna, grund-buendra gearwe stowe, þær his lic-homa, leger-bedde fæst, swefeþ æfter symle. Þa wæs sæl ond mæl þæt to healle gang Healfdenes sunu; |
But death is not easily
escaped from by anyone: all of us with souls, earth-dwellers and children of men, must make our way to a destination already ordained where the body, after the banqueting, sleeps on its deathbed. Then the due time arrived for Halfdane's son to proceed to the hall. |
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[...] nalles facen-stafas
þeod-Scyldingas þenden fremedon. |
[...] The Scylding nation
was not yet familiar with betrayal. |
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[...] Þa cwom Wealhþeo forð
gan under gyldnum beage, þær þa godan twegen sæton suhterge-fæderan; þa gyt wæs hiera sib ætgædere, æghwylc oðrum trywe. |
[...] Wealhtheow came to sit
in her gold crown between two good men, uncle and nephew, each one of whom still trusted the other; |