"Conversation analysis" is a popular approach
to the study of discourse. It is a way of thinking about and analyzing
the pragmatics of ordinary conversation, focusing on the interactive, practical
construction of everyday interchanges.
1. What is Conversation Analysis?
1.2 What is a conversation?
2 (2.0)
3 S: Probably not
4 T: Hmm no
[Modified from (39) in Levinson.]
Here the two-second pause after the student’s
question -- a ‘hitch’ in the conversation -- is interpreted as a negative
answer to the question. (This is a much abbreviated analysis; see Levinson
pp. 320-321 for more detail.) Although a silence has no features on its
own, conversational significance is attributed to it on the basis of the
expectations that arise from its location in the surrounding talk. (Below
we shall summarize the three main kinds of interpretation of silence.)
"This ongoing judgment of each utterance against those immediately adjacent to it provides participants with a continually updated (and, if need be, corrected) understanding of the conversation" (Nofsinger, p. 66). Every person involved in the conversation has their own interpretation of what is going on, but although these interpretations are subjective in the sense that everybody has their own, they are intersubjective in the sense that every person treats the adjacent utterances in similar ways. People share a understanding of the "game" they are engaged in, and its "rules."
2. Speech Acts
Utterances are used to do things; they are actions; what John Austin called performatives. Speech acts can be grouped into several families, each containing similar types of performative:
offer "Shall I do that?"
make a vow
take a pledge
give a guarantee
command "Tell me about that"
order
suggest "Why don’t you describe what happened."
give permission "You can share that if you wish."
question "What’s your family like?"
describe
state
predict "It will surely rain tomorrow."
speculate "I wonder whether it will rain tomorrow"
report
announce
apologise "I’m really sorry I did that."
welcome "Nice to see you."
thank "Thanks very much!"
greet "Hi!"
acknowledge "uh huh"
appoint "You’re in charge."
sentence "I sentence you to thirty days in jail"
So it’s important to examine the structure of conversation in which speech acts are produced. We consider next a central aspect of this structure.
3. Turn-taking
It is an evident fact about conversation is that it takes the form of turn-taking: two or more participants take turns to speak. But how does this happen? How does someone "get the floor"? It may seem that people simply wait for the speaker to stop, and then talk, but the gaps between turns are generally too short for this to be the case: sometimes they are just micro-seconds in length, and on average they are no longer than a few tenths of a second.
2. If N is not selected, anyone can jump in, and the first to do so gains rights to the floor. (Self -selection)
3. If neither (1) nor (2) occurs, C may (but need not) continue talking. (Speaker continuation)
4. If (3) happens, rules (1)-(3) apply again at the next TRP.
More formally stated, adjacency pairs are sequences of two utterances that are:
(ii) produced by different speakers
(iii) ordered as a first part and a second part
(iv) typed, so that a particular first part requires a particular second (or range of second parts) - e.g. offers require acceptances or rejections, greetings require greetings, and so on.
1 A: Do you have the spanner? ) presequenceAnother example:2 B: Yes. )
3 C: Can I have it please? ) R-A pair
4 B: [...] )
1 Teacher: Mike, do you think you knowThe person towards whom the first part of an adjacency pair has been directed may want to undertake some preliminary action before responding with the second part. A request for clarification by the recipient will take place after the first pair part, but before the second pair part. This is an insertion sequence. Here turns 1 and 4 make up one adjacency pair, and turns 2 and 3 make up a second adjacency pair inserted between the two parts of the first pair:the answer to question four? )presequence
2 Mike: Yes. )
3 Teacher: Can you tell the class, then, please? )R-A pair
4 Mike: [...] )
3.5 Insertion sequences
1 P: Martin, would you like to dance? )Another example of this:2 M: Is the floor slippery? )
3 P: No, it’s fine. )
4 M: Then I’d be happy to. )
1 Teacher: Will you tell us the answer to question four? )Depending on where silence occurs in a conversation, and its location in the conversational structure, it will be interpreted as a gap between turns, a lapse in the conversation, or a pause that is attributed to the designated speaker.2 Mike: Is that one page six or seven? )
3 Teacher: Six. )
4 Mike: Oh, okay. The answer is factorial two. )
3.6 Silence
A lapse is silence when no next speaker is selected, and no-one self-selects: the conversation comes to an end for at least a moment. (N.b., a gap and a lapse can be distinguished from one another only in retrospect.)
A pause is silence when the current speaker
has selected the next speaker and stopped talking, but the next speaker
is silent. A pause is also silence that occurs within a participant’s turn
(i.e., before a TRP is reached). A pause "belongs" to the person currently
designated speaker.
For example, in response to the first part of an adjacency pair some second part responses are preferred, while others are dispreferred. Refusals of requests or invitations are nearly always dispreferred, while acceptances are preferred. (See the table below.)
Conversationalists’ grasp of preference will influence their interpretation of conversational actions. For instance, a silence in response to a request may be taken as evidence of a likely upcoming dispreferred response (a refusal), so that further inducements may be added (this was the case with the first example in this handout). Conversational actions that are not the preferred response are often conducted in a manner that displays this: "dispreferred seconds are typically delivered: (a) after some significant delay; (b) with some preface marking their dispreferred status, often the particle well; (c) with some account of why the preferred second cannot be performed" (Levinson, p. 307).
4. Mutual Understanding as ‘Alignment’
For a conversation to run smoothly and effectively the organization of turns must be managed, but in addition the conversation must also be kept ‘on track.’
How do participants in a conversation get a sense of understanding and being understood? The response to an utterance often provides some kind of interpretation of the prior utterance, and so indicates the alignment. Assessments ("That’s good"), newsmarks ("Oh, wow!"), continuers ("uh huh"), formulations (giving the gist of what’s been said), collaborative completions (finishing the speaker’s sentence), all provide evidence to the speaker of how their talk is being understood.
Repairs are the things done to fix a conversational breakdown and restore alignment. Breakdowns can be misunderstandings ("What did you say?"; "What do you mean?") as well as disagreements ("I think you’re wrong"), rejections ("No, I won’t") and other difficulties. Revisions may occur when the speaker can anticipate that trouble is likely and reformulates talk accordingly.
Alignment is displayed and adjusted not only in responses to an utterance but also in advance. Preventatives such as disclaimers ("I really don’t know much about this, but...") are examples of such "pre-positioned alignment devices." Pre-sequences (see above) do this too.
Alignment is especially important at the openings and closings of conversation.
5. Extended Discourse: Narratives and Arguments
Our examples have been of conversations where the turns are brief, but the lengthy stories and substantial arguments that sometimes occur in conversations can be examined with the focus and methods of conversation analysis, too. It turns out that, counter to what we might expect, "Stories and other extended-turn structures in conversation are not simply produced by a primary speaker, but are jointly or interactively produced by a primary speaker together with other cooperating participants" (Nofsinger, p. 94).
The same is true of argument. Researchers distinguish making an argument from having an argument. "Roughly, the first involves using reasons, evidence, claims, and the like to ‘make a case.’ The latter involves interactive disagreement (for example, "You can’t," "I can," "Oh no you can’t," "Well I certainly can"). Conversational argument often consists of participants making arguments in the process of having one" (Nofsinger, p. 146).
The dynamics of both narratives and arguments "can be understood by applying our knowledge of ordinary conversational practices and structures such as the turn-taking system, adjacency pair sequencies, the preference system, and repair" (Nofsinger, p. 154).
6. Conversation Analysis and the Ontological Blueprint
The ontological blueprint summarizes Heidegger’s analysis of human being. To be human is to understand and interpret: to have an understanding, albeit tacit and unarticulated, of the being of entities, of our own being, and of the world we are in. We encounter entities with a kind of concern that grasps them and puts them to use, not with a bare perceptual cognition. To understand an entity (an artifact) like a hammer is to grasp it in practical activity: to project it into and onto the world that is the situation or context, like the workshop.
What shows up is the being of the entity, and this shows up upon the ground that is the meaning of that being. When action is going smoothly what we are aware of is a towards-which: the point of the activity, the project, in terms of which the entity is grasped.
A tool functions as a "prosthetic device": when functioning smoothly and ready-to-hand it is like an extension to the body, providing the tool-user with a feel for the material being worked on, and a sense of how they are doing, as well as a way of making something.
An utterance is like a tool, except it is made on the spot, off hand, in the moment: it is an improvised artifact (literally: sudden; unforeseen). An utterance is a "conversational device"; its production makes a point, provides the speaker with a feel for the other person (through their response), gives her a sense of herself (we discover ourselves in our words), as well as a way of accomplishing something socially.
To understand an entity like an utterance is to be aware of its point, by grasping the utterance and projecting it. The way the utterance is projected depends on (1) the ongoing conversation of which it is a part, (2) the context: the here-&-now, and (3) familiarity with the public conventions of language. These three form the fore-structure of the conversational participant. The conversation is an ongoing project, a way of being involved: the fore-view. The here-&-now provides a fore-grounding. And the conversationalist knows the language (including its conversational maxims), and thus has a preliminary sense of how to interpret: a fore-grasp.
To understand a speech act is to recognize its point: where the speaker is coming from; where they are going; what they are getting at?what their concern is, not what their beliefs are. We can talk of alignment among participants in a conversation in terms of the ontological blueprint. When participants project an utterance in ways that line up, they are aligned. Their projections are not necessarily identical, they may also be reciprocal: the speaker’s good news may be the recipient’s bad news.
Our goal as interpretive researchers is to understand and articulate the way the participants understand their interaction. We want to understand the constituting, the construction, that produces the phenomena of social reality. It is in social interaction that human being is remade. In addition, settings are continually reconstructed, at the same time as they are used as grounds for human activity. Both the world and persons in at are socially constructed. It is this social construction that is the broad object of interpretive inquiry. (Nofsinger points out that conversational utterances are both context-shaped and context-renewing: "Context, in this immediate and narrow sense, is composed not just of what people know, but of what participants do to show each other which items of their shared knowledge should be used in making interpretations. The conversational actions produced by participants create an interpretive resource that is used to align conversational understanding" Nofsinger, p. 143).
Table: Preferred and Dispreferred Second Parts
to various First Parts:
| SECOND PARTS: |
|
||||
| Request | Offer/Invite | Assessment | Question | Blame | |
| Preferred: | acceptance | acceptance | agreement | expected answer | denial |
| Dispreferred: | refusal | refusal | disagreement | unexpected answer or non-answer | admission |
[From Levinson, p. 336]
References
Levinson, S. C. (1983). Pragmatics. Cambridge: Cambridge University Press.
Nofsinger, R. E. (1991). Everyday conversation. Newbury Park: Sage.
Sacks, H., Schegloff, E. A., & Jefferson, G. (1974). A simplest systematics for the organization of turn-taking in conversation. Language, 50, 696-735.
Schutz, A. and T. Luckmann (1974). The structures of the life world. London, Heinemann.